Vitus Shell: Now We Here: The Path to Unconditional Self-Acceptance
Viewing our exhibits is free because of the generosity of Horicon Bank.
Now We Here: The Path to Unconditional Self-Acceptance by Vitus Shell
Exhibition will be on display from September 26 – November 9, 2019
Artist’s Exchange: Wednesday, September 25, 6 pm.
Free admission and open to the public, listen to a Q&A talk and learn about his process, inspiration, and execution of his work. Cash bar and snacks available.
Opening Reception: Thursday, September 26, 6 – 8 pm
A curator-led tour will begin at 6 pm exploring the current art exhibition.
Free admission and open to the public, meet the artist as you view his work. Cash bar and snacks available.
My large scale paintings are geared toward the black experience, giving agency to people from this community through powerful images deconstructing, sampling, and remixing identity, civil rights, and contemporary black culture. In my work, I strive to bridge the gap between the older and younger generations by exploring and uncovering factors that contributed to the unfortunate relationship breakdown between the two.
Moreover, my layered, mixed media painting examines parallels between present day behaviors and attitudes that date back to African roots. With my current work, I continue experimenting with portraiture, acrylic paint, over-sized photocopies of early 20th century vintage advertisements and the incorporation of a foam-cut printing technique. My artistic goal is to exude the hip hop lifestyle with a southern vernacular. Through the use of the vintage advertisements allows me to create narrative based environments, which comment on stereotyping, bigotry, and oppression. The foamcut printing method provides me with the added layers to include text and icons, such as the minstrel images. Having spent much time researching graffiti art, I incorporate a variation of its characteristics, techniques, and unique aesthetics into my work such as paste-ups, stamps, and stencils. Using graffiti techniques allows me to challenge the viewer’s perceptions of what is considered low art or high art, which also addresses classism.