THELMA SADOFF CENTER FOR THE ARTS

Calendar

Nov
1
Thu
Sheboygan Visual Artists
Nov 1 2018 @ 10:00 am – Jan 5 2019 @ 5:00 pm

Sheboygan Visual Artists

Exhibition Dates: November 1 – January 5, 2018

Sheboygan Visual Artists (SVA) is a growing and active network of over 100 professional and amateur artists and patrons in the Sheboygan area who believe that artistic expression increases artistic and personal growth and enriches communities.

SVA’s mission is threefold:

  • Empower visual artists through professional development and collaboration,
  • Promote member artists and their work, and
  • Create opportunities for the community to experience and enjoy visual arts.

Sheboygan Visual Artists are capable of showing a huge body of work that includes painting, drawing, ceramics, sculpture, printmaking, photography, video, glass, wood, fiber, jewelry and digital art.

Ten times a year the SVA presents a new show with opening night on the last Fridays of the month. All these events, known as Final Fridays, happen at EBCO ArtWorks, the home base of SVA on 12th and Erie in Sheboygan, and are open and free to the public.

SVA artists are active in the wider community as well. Presently, the Kaleidoscope program conducts art workshops for under-served youth and their mothers. Collaborations with Mead Library, City of Sheboygan and offsite exhibits in surrounding art centers are imbedded in the SVA program.

SVA is a 501(c)3 nonprofit organization, completely run by volunteers who invest thousands of hours each year to do what they love….

MAKE ART AND BUILD COMMUNITY.

Jan
10
Thu
Ancient Survivors
Jan 10 @ 10:00 am – Mar 2 @ 5:00 pm

Ancient Survivors

Featuring sturgeon artwork, artifacts, and history. The exhibit also includes decoys, audio and articles related to the culture and science surrounding sturgeon. These elements have been collected from across Wisconsin and the Midwest and will be the first time these will all be together in one place for display. This exhibition comes to THELMA in collaboration with The UW Sea Grant Institute, UW Milwaukee School of Freshwater Sciences, University of Minnesota Duluth Fine Art Department, Oshkosh Public Museum and Sturgeon for Tomorrow.

Exhibition Dates: January 10 – March 2

 

Mar
7
Thu
Emmet Sandberg: Departures
Mar 7 @ 10:00 am – Apr 20 @ 5:00 pm

Departures by Emmet Sandberg

Exhibition Dates: March 7 – April 20
Artists’ Reception: Thursday, March 7, 6 – 8 pm

Free admission and open to the public, meet the artist as you view his work. Cash bar and snacks available.

Artist’s Exchange: Thursday, March 7, 5:30 pm

Artist’s Exchanges are free and exclusive for THELMA members. Listen to a Q&A talk and learn about his work. Cash bar and snacks available.

These “Departures” examine how I process experience and make sense of the world. The act of redacting reveals how the sorting and organizing of experience allows us to explore the references and associations used to create the narratives that situate us in our time and place. – Emmet Sandberg

 

 

Mel Kolstad: 200 Days: A Life in the Quotidian
Mar 7 @ 10:00 am – Apr 20 @ 10:15 am

200 Days: A Life in the Quotidian

Exhibition Dates: March 7 – April 20

“When Thelma Sadoff Center for the Arts first approached me for this solo exhibit over a year ago, I knew I wanted to “go small” but didn’t quite know which medium to showcase. I also wanted to make a ridiculous quantity of pieces. Enter drypoint! And tininess! And watercolor! I wanted to challenge myself and create very tiny prints – each of the prints measures only 1.5×2”. Every one of them is a drypoint print first, and probably 95% of them are enhanced with watercolor.

Beginning on April 1, 2018 and ending on October 20 of that year, I created a drypoint print a day. That’s 200 days (give or take three days, because I just forgot). Each piece began with a photo I took that day, and I gave myself rules – no going out of your way to get a photo; no “cheating” and taking a week’s worth of photos in one day; and try not to “pose”.

Because I had no idea what was going to happen on any given day, this project was a complete surprise to create. I couldn’t plan for anything! It was so exciting to see how my prints turned out once I had created the drypoint print from the photo, and again after applying the watercolor.

This exhibit is site-specific; I purposely made 200 pieces for the exhibit and the size they are to fit the gallery. The only thing I knew immediately was that I wanted the prints to be framed identically and to be hung in a straight line, like a “timeline” or journal of my days.

I hope you enjoy the exhibit as much as I enjoyed creating it for this beautiful space! Approximately 1500 hours went into the creation of these little friends, and it is most certainly my magnum opus at this point in my career.

But something else happened along this 200-day journey – I fell in love with my work again. I would catch myself tearing up with happiness when creating these small friends, because I realized just how lucky I am to be able to do this. It was the most important thing to come from this exhibit.” – Mel Kolstad

Price list for artwork is available in our lobby at our front desk. Call 920-921-5410 for artwork inquiries or stop in Monday through Friday 10 – 5 pm or Saturday 11 – 3 pm.

Jun
13
Thu
2019 THELMA Members Exhibition
Jun 13 @ 10:00 am – Jul 27 @ 5:00 pm

The 2019 THELMA Members Exhibition is a non-juried exhibition that includes submitted work by THELMA’s current members.

Opening Reception: Friday, June 14, 6 pm – 8 pm.

A curator-led tour will begin at 6 pm exploring the current art exhibitions. Free admission and open to the public, meet the artist as you view her work. Cash bar and snacks available.

Exhibition will be on view from June 13 – July 27, 2019.

Not a member? Join at thelmaarts.org or call us at 920-921-5410 to participate in our next member exhibition!

 

Liz Miller: Seismic Shifts, Structural Anomalies, and Impossible Dreams
Jun 13 @ 10:00 am – Jul 27 @ 5:00 pm

Seismic Shifts, Structural Anomalies, and Impossible Dreams by Liz Miller

Exhibition will be on display from June 13 – July 27, 2019

Opening Reception: Friday, June 14, 6 – 8 pm

A curator-led tour will begin at 6 pm exploring the current art exhibitions.

Free admission and open to the public, meet the artist as you view her work. Cash bar and snacks available.

Artist’s Exchange: Friday, June 14, 5:30 pm

Free admission and exclusive for THELMA members, listen to a Q&A talk and learn about her process, inspiration, and execution of her work. Cash bar and snacks available.

Liz Miller received her BFA from the Rhode Island School of Design and her MFA from the University of Minnesota. Miller’s work has been featured in numerous solo and group exhibitions throughout the United States and abroad. Her awards include a McKnight Professional Development Grant from Forecast Public Art, a McKnight Foundation Fellowship for Visual Artists, a Joan Mitchell Foundation Painters & Sculptors Grant, an MCAD/Jerome Foundation Fellowship, and five Artist Initiative Grants from the Minnesota State Arts Board. Miller recently completed residencies at the Joan Mitchell Center in New Orleans, LA and the McColl Center for Art + Innovation in Charlotte, NC. She lives and works in Good Thunder, MN and is Professor of Installation and Drawing at Minnesota State University-Mankato.

My work explores the fallibility of infrastructure and the precariousness of perception, as seen through a materially-intensive, process-based lens. I utilize undulating planar forms in conjunction with fabric and rope as a metaphor for shifting landscapes, altered topographies, and imagined realities. References to the natural world and the built environment collide in interludes that are alternately beautiful, absurd, menacing, and poetic, alluding to the complexity of our world. Tensions between fact/fiction and dimensionality/flatness are endlessly intriguing to me, playing out in my work as a dialogue between reality and illusion.

I have become fascinated with ropes and knotting as byproducts of my process. In my large-scale installations, knotted ropes provide tension that gives volume to otherwise flat materials. This technique has revealed the possibilities of knotting as an autonomous aesthetic expression. The varied use of rope and knotting across cultures and history ranges from utilitarian to decorative, and even deadly. I create interdependent knotted topographies that allude to both structure and malleability. The repeated act of tying by hand integrates an emphatic sense of strength, while the flexibility and nuance of the textile material ensures structural permutations. The resulting works are only quasi-architectural, providing metaphorical insight laced with humor as related to a variety of structural and systemic behavior.